Smells faintly citrusy–nice but not detectable once it’s on.
Took two weeks to arrive. Recommend for the beauty of the product itself, but also feels great on lips.
Smells faintly citrusy–nice but not detectable once it’s on.
Took two weeks to arrive. Recommend for the beauty of the product itself, but also feels great on lips.
How to get Amy to buy lipstick, in three easy steps:
1) Compliment my handbag effusively.
2) Rave about my skintone and how everything will look amazing on me.
3) Go above and beyond by getting out all the colors in a color family, not just the one I initially asked to try, so I can compare them all.
Seriously, I just had one of the best
drug run makeup buying experiences of my life at the Elizabeth Arden counter in my local Dillards. Like a lemming, I decided on impulse to go try out Red Door Red after seeing Tanya Burr use it in a Christmas youtube video. I’ll try to justify myself by saying that it wasn’t only that the color looked great on Tanya; it looked like the kind of bright-neutral-slightly-pink red that tends to flatter me as well.
I’ve only ever bought one other EA product, a moisturizer for dry skin that I would definitely recommend. It came with a free gift that had a few bits and bobs of skincare and makeup, and I honestly liked it all, especially the included peachy coral blush, but I haven’t given the brand much thought since then. More recently, I’ve started to have the brand in the back of my mind as something I might want to really try at some point.
Fast-forward to today, when Tanya’s video finally pushed me over the edge, and I set out for EA, only to find myself in the hands of a beautiful, middle-aged sales associate who did the things mentioned above and probably could have sold me ice in Antarctica after she’d finished buttering me up.
Elizabeth Arden is one of those brands that doesn’t seem to get all that much attention in the blogosphere, beyond a few raves for the cult favorite Eight Hour Cream or other skincare product. I think this is because it sits in a category with Lancome, Estee Lauder, and a few other similar luxury brands that are respected but not necessarily considered trendy for the most part. I looked at all the reds in the Beautiful Color Moisturizing Lipstick line, and there were about six. This goes with what I’m saying–it’s a brand with a vintage ethos that caters to the kind of woman who has a signature red lip and a signature scent that she wants to carry with her all of her life. Far from being turned off by this, I think it’s alluring and glamorous.
The Beautiful Color Moisturizing Lipsticks are housed in heavy gold and silver metal cases that have the famous EA door imprint on them. Red Door Red is particularly iconic to the brand, as it’s the color that mimics the paint on the doors of the original EA boutique. The lipstick itself also has the door logo imprinted on it. I don’t think an imprint on the lipstick bullet is ever a necessity, but it’s a classy touch.
This is the color outside in natural light. Excuse application–it was a quick on-counter attempt to see how the color would look on me. Overall, I would classify Red Door Red as a bright neutral, with maybe the slightest hint of pink coolness that could make it difficult for the extreme warmest skin tones to pull off, but I think most would find it flattering.
This is the color inside. Outside, I think the cooler tones come out. Inside, it looks like a pretty straight-up, clear red neutral. In my opinion the best red for you is one that has an eye brightening effect, and Red Door Red certainly does that for me. If it’s not your kind of color, though, it’s still worth giving the line a look because they have so many red options (not to mention an extensive array of other colors). The finish is satin and creamy and goes on opaque with one swipe. I haven’t tested wear time yet, but it lasted through a meal enough that I wouldn’t have to reapply, though I probably would just to make sure it looks even. I would expect it to stay put for drinks or light snacks. It reminds me of the Lancome Rouge in Love line, which feels similarly comfortable to wear and also has solid wear time.
Elizabeth Arden is a brand that still hearkens back to the ’50s, when screen sirens had signature looks, and our grandmothers carried elegant gold compacts in their handbags. If, like me, you’re someone who appreciates this ethos, you really owe it to yourself to give EA a look. Red Door Red is a new purchase for me, but I already feel like a star when I wear it, and it just may become my very own signature.
Love you all. Merry Christmas!
As a recent lover of Ruby Woo, I was intrigued when RiRi Woo first came out a few months ago. The insane feeding frenzy and online-only availability meant that I was far from getting my hands on it. The reviews were intriguing, with some saying it was exactly like Ruby Woo and others touting various differences. I finally found it today on-counter as part of the RiRi Hearts MAC fall collection.
First of all, the packaging is adorable, as you can see. The rose gold bullet is beautiful, and even the inside maintains the gold theme. Otherwise, it behaves like regular MAC lipstick packaging–sturdy, useful, and unlikely to come apart in your handbag.
The bullet has Rihanna’s signature etched into it. I’m not a Rihanna fan, but even so, it’s a very elegant touch. There’s nothing about this product that I find tacky, even though it has such unusual graphic elements. All of it works together nicely.
As to the product itself:
I’ve swatched Ruby Woo on the left and RiRi Woo on the right. I see a difference. Do you? To my eye, RiRi is darker and less pink. It comes across a little more muted on my lips than Ruby does, and I actually prefer it.
When it comes to wear, RiRi seems creamier to me. It’s the same Retro Matte formula as Ruby, but I think it’s the new, improved version that the new collection of Retro Mattes have. (Supposedly it’s the same as it’s always been, but I think there’s a major difference in creaminess and comfort.) I don’t know if you can see it in the swatch, but RiRi doesn’t drag nearly as much as my Ruby does.
(I tried it on in-store with RiRi Woo lip liner, which was creamy and worked very well. Please excuse my bad makeup and hair job–I basically jumped out of bed and ran to MAC to get there before they sold out.)
The bottom lines:
If you like the retro matte formula, you will like the formula of RiRi Woo. It delivers the usual long wear time, opacity, and elegant flat finish.
Do you need it? That really depends, in my opinion, on your attitude toward red lipstick. Ruby and RiRi are definitely not exactly the same color, and the difference is even more apparent on lips than in a swatch. If you’re the kind of person for whom red lips are an occasional thing, and you already have Ruby Woo, you’d be fine to skip it, because, for you, it’s probably close enough. However, if you’re like me, and red lips are a staple for you, I think RiRi is a good option. You may find that, like me, it flatters you even more than Ruby does, and the formula is affordable for the wear time and good pigmentation it delivers.
Do you plan to check out RiRi Woo?
Ah Ruby Woo, what a polarizing muse you are. Much like a spicy jalapeno pepper, MAC’s ubiquitous red lipstick is loved by many and loathed just as passionately by others. There’s one thing, though, that gets pretty universal agreement–once on, Ruby Woo lasts forever.
That’s why, along with MAC Cosmetics’s recent emphasis on long-wearing products, they chose to release a small collection of retro matte lipsticks–the same formula as Ruby Woo (supposedly, but more on that later). Before now, Ruby Woo has been the only permanent retro matte, and it was only recently joined by limited edition shades inspired by Rihanna. Information is somewhat conflicted at the moment, but supposedly this new collection is all permanent. (Even if this is true, my counter, at least so far, only has the amount of each shade that usually releases with LE collections, so hurry.)
Bottom line (if you’re in a rush): I really like this collection, and I believe it will more than satisfy all the matte finish lovers out there.
On to the goods:
L to R Fixed on Drama, Steady Going, Flat Out Fabulous, Runway Hit, Relentlessly Red, All Fired Up, Dangerous, Ruby Woo
I’m going to talk about the shades as they seemed to me. In my opinion, MAC’s website has some of the worst color distortion I’ve ever seen, and their shade descriptions are also a bit off sometimes.
Fixed on Drama is a deep, vampy shade with a lot of purple in it. I think this kind of color works particularly well as a matte, because the flat finish gives the feel of classic drama, but the wearer also has the option of more modern glam if she wants to top it with a lipgloss.
Steady Going is a light, blue pink, very vibrant and a bit like a mattified version of Viva Glam Gaga. This is a type of shade that I usually avoid because it makes me look dead, but if bubble gum pinks are your thing, it’s a nice shade with good pigmentation.
Flat Out Fabulous is a bright purple pink. It’s cool-toned, but with enough pink to keep it from being overly formal. To my eyes, it reads a lot like Catfight from the new Urban Decay lipstick collection.
Runway Hit is a peachy pink nude/neutral. I strongly considered a purchase, since it looked much better on my pale skin than a beige nude. I decided against, however, because of the matte finish. Don’t get me wrong. I LOVE a matte finish, but there’s just something about a totally dimension-less nude that I found a little bit strange. It was like I’d painted tile grout onto my mouth. Granted, it could have been worse, but I realized that I prefer more sheen and dimension to anything that close to a nude lip. However, if you like matte nudes, it’s a very flattering one.
Relentlessly Red is…not red. In fact, on me it was a matte dupe for the limited (but frequently repromoted) Amplified shade Watch Me Simmer. I didn’t swatch them together, but this one looked very close when I tried it on at the counter. It’s a BRIGHT neon coral pink. I adore bright colors, but as with Runway Hit, I felt like the matte texture didn’t do this one any favors on me. It’s rare that I ever think a lipstick is too bright for me, but something about the combo of neon and matte just didn’t work on my face. I looked like my entire head was a mouth. If you have darker skin (or different toned skin) than mine, I’m sure your mileage will vary, and it’s worth giving it a shot.
Dangerous is an orange red, somewhere between Lady Danger and So Chaud, and similar to Nars’s Heatwave and Jungle Red. It has a beautiful burnt mutedness to it that makes it very wearable. This is one where I think the matte shade really took it to the next level of awesomeness. The only reason I didn’t purchase is because I have too many similar shades in matte and semi-matte textures.
Ruby Woo is a classic red that skews both cool and warm, depending on lighting and wearer. It’s been reviewed approximately 3 million times. It’s the shade that inspired this collection, and if you’re reading this, you most likely know all about it.
All Fired Up is a true raspberry pink that is bright but muted enough to be day-wearable (at least for me) and has a rosy red undertone (definitely warm). I saved this one for last because it’s the shade I purchased.
I’ve worn this for two days, so here are some thoughts on product usage:
* These lipsticks supposedly have the same retro matte formula as Ruby Woo, but I’m pretty convinced MAC has actually improved it. I have a tube of Ruby Woo from a past purchase, and it’s much drier and more difficult to apply than any of these colors were when I swatched them, including the Ruby Woo from this collection. All this to say, if you haven’t enjoyed the formula in the past, you might consider giving it another try.
*These lipsticks wear a long time. I have a medical issue that means I have to drink water constantly, and these last through that and even through meals. I get several hours of wear time, and even when I touch up, I usually still have pretty good color. For me, this makes them great for work.
*I definitely recommend trying these in store before buying if at all possible. As I mentioned above, the matte finish does different things to different shades.
*Are these drying? MAC retro mattes contain Kaolin Clay. Much like the Tarte Amazonian Clay lipsticks (at least, they’re similar on me), they tend to form a clay-like layer over the lips that dries quickly and lasts a long time. For me, they’re neither moisturizing nor drying. When the beauty world has things like Revlon Lip Butters and Chanel Rouge Coco Shines available, it’s easy to label anything “drying” that isn’t incredibly emollient. My own standard is that drying means visible and feel-able unpleasant dryness and/or peeling on my lips, not just the absence of moisture. These do not feel moisturizing, but even after several hours, I do not find the sensation on my lips unpleasant. (I do recommend conditioning lips beforehand, a good idea with any matte formula.)
I hope you’ve enjoyed this review. Have you or do you plan to pick up any shades?
I love vintage makeup because it makes me feel connected to women of the past and their fascinating history. Today, my sister and I came across some fabulous vintage powder compacts at a local antique shop. We wanted to buy about ten of them, but we kept ourselves to three.
This is a Prince Matchabelli compact from 1931. I love the gold crown detail.
The interior of the compact shows the patented technology that allowed the owner to put loose powder into the middle compartment and then release it into the compact to use, making things simple and mess free.
This lovely compact is Rex 5th Avenue. My research indicates it’s from the 40s, but it could also be 50s.
The interior shows the powder puff and the mesh cloth that kept the powder from escaping when the compact was opened.
This is another Rex 5th Avenue compact, definitely from the 1940s. The rhinestones make it an extremely rare find.
We also came across several compacts with built in lipstick and rouge compartments. I’d like to pick up a few, but they tend to be more expensive and will have to wait for a future shopping trip. In particular, I have my eye on a Bourjois compact from 1936.
Do you like vintage cosmetics, or are you more of a modern beauty addict?
When I was a child, I was all about Cheaper by the Dozen (the book), and one of the most memorable parts for me was the description of the family’s acquisition of a white typewriter. The children’s father, an efficiency expert, purchased it because he wanted to teach his family to type, and scientific studies had shown that a white typewriter made people want to type on it. It worked.
So what does this have to do with Marc Jacobs and his eponymous beauty line? Well, the thing is, long after I first read Cheaper by the Dozen, I got a degree in professional communication, and I learned about the kind of science that tells manufacturers how to package a product so that the quality of the thing inside is just half of the battle. The bottom line: Marc Jacobs gets it.
Before I went to Sephora, I had seen a few reviews here and there online and visited the Marc Jacobs Beauty Website, but nothing prepared me for the decadent sensory assault of seeing the line assembled in person. It’s simply breathtaking–beautiful, sensual, sophisticated, and a little bit edgy. I wish I’d thought to take a picture of the whole display, but I’ll plead insanity on account of how overwhelmed I was.
From the picture at the top of the post, you can see the main style of the products, sleek black compacts made of high-shine plastic with metal closures. Similar to brands like Chanel, the products have their own little bags, but superior to Chanel (in my opinion), these bags avoid the grime-attracting nuisance factor of the Chanel versions by being matte and not velvet.
I knew I wasn’t after face products, so I spent the least amount of time with the foundations and powders. They looked nice to the eye, but I didn’t swatch them. The MUA who cashed us out at Sephora said that those are her favorite parts of the line, so I definitely plan to check them out in the future.
What I did spend time ogling was the color products–the Lip Gels, Lip Vinyls, Style Eye-Con palettes, and nail varnishes. Everything I swatched was lovely. A few things to note:
* The shadows are mostly satin finish.
*At present, the line only has eyeshadow palettes, no singles.
*The palettes come in groups of three shades and seven shades, and each is themed to a certain style or “look.”
*Each palette contains a mirror and a plastic shield to keep the mirror free of product.
* The lipsticks start sheer and are buildable, so what you see in the tube may be darker than what you initially get on the lips.
*The lip glosses come in a sheer formula (more like a traditional lipgloss), and a full-coverage formula (more like an Hourglass liquid lipstick or OCC lip tar).
*The glossiness of the packaging will attract fingerprints.
On to my specific purchase, Style Eye-Con No.3 in The Mod.
The Style Eye-Con trios come packaged in slim compacts with a highlight shade, lid shade, and deeper shade for contouring/lining. The highlight shade is the largest, then the lid shade, and finally the accent shade. In The Mod, the lid shade is a shimmery light silver, the highlight is a slightly satiny white, and the contour shade is a black with some sparkle.
Here’s an arm swatch. As you can see, the pigmentation of the black is stronger than the other two shades, though the other two hold their own. The overall effect is very high contrast, just as a mod look dictates.
Here’s where we get into opinion territory. Not everyone digs this trio as much as I do. For those with skin much darker than mine, the white and silver will come off quite light, and this certainly isn’t a color combo no one’s seen before.
But that’s the whole point. This trio is called The Mod for a reason. It’s the perfect set of shades to create a retro 60s mod eye or to carry the wearer to a new age version of mod. Either way, it contains the requisite shimmering lid shade, light highlight, and highly contrasting black for a cut crease and awesome cat liner. And lest you think the silver or white are lightweights, I actually used the silver to cover the black in areas of my lid where my clumsy application put it in the wrong place, and the silver delivered successfully.
Here’s a photo of my eye look and full face using the trio. (Excuse the hideous lighting in my office that somehow manages to make me look dead and ruddy at the same time.)
Bottom line: These shadows are the kind of quality I would expect for a very high-end line, and the thoughtful shade combination makes this a must-have for mods of any age.
Finally, a word about the lipsticks. I’m pretty obsessed with lipcolors, so the Lip Gels were one of the first things I grabbed to swatch. As I expected, the colors were pigmented, creamy, and luxurious. The packaging is to die for as well, with an insanely satisfying magnetic closure (seriously). The one odd thing, to me, is the shade selection. The number of colors is pretty big, but to my eye, at least four or five of them are varying shades of red. Now, as a dedicated red lip wearer, I’m all over this, but it made me wonder if the rest of the world would feel that way. We seem to be in a red lip moment in time, so perhaps the line will expand in the future to include more shades of other types. My sister purchased one of the darkest shades in the line, a lovely vamp purple that goes on sheer but builds to creamy opacity.
I can’t really speak to the wear time of either the shadows or lipstick since the purchases were just made yesterday, but the shadows have been going strong for six hours as I type this. (I always wear eyeshadow with a primer.)
I kind of wish I had more of a complaint about this line, because really, I just want to go purchase more. I have my eye on one of the Style Eye-Con No.7 palettes and at least a lipstick or two, not to mention a possible foundation attempt.
These days, it seems like some kind of fad for every designer to have his or her own beauty line. Thankfully, Marc Jacobs didn’t just nail the packaging; he nailed product quality as well. Hopefully the attention to detail will lead to brand longevity and more irresistible offerings.
(Click photo for a bigger picture)
L-R Romantic, Russian Red, Mellowarm, Ravishing, Watch Me Simmer, Pink Pout, Las Vegas, San Paulo, Till Tomorrow, Shy Girl
Just like it says, this post is all about favorite lippies. I have a pretty big lipstick (and gloss) collection, so I might do another one in the future, but for now, these are some of my very favorites.
Bear in mind, I’m super fair skinned. You can see my skin color in my arm swatch, and it’s definitely on the very pale side. I’ll describe my experience with these colors, but it will, of course, vary according to your skin tone.
I’ve decided to organize the lipsticks by color, just to make things easier.
I love a red lip, both for everyday and evening.
My current favorite daily red is Revlon’s Kissable Balm Stain in Romantic, which is a true tomato red with more orange than blue in it. It’s a good red for day because it’s long wearing (I find the KBS to be that way in general), and it can be applied sheer or built up for more coverage. It’s definitely not a red that will shock people you meet.
My all-time favorite statement red is Russian Red by MAC Cosmetics. It’s a matte texture, which is my favorite, and it’s a true, blue-based red that is long-lasting and very glamorous. On my fair skin, it stands out, but it’s also very flattering, especially when balanced with a darkly-lined eye. (I have been known to wear this red during the day, but it’s definitely a statement to do so.)
I only picked one lipstick for this color because it’s not generally one of my most flattering.
My choice is Mellowarm, which was part of the MAC holiday collection 2011 and might still be snaggable at a Cosmetics Company Outlet. It’s a good brown for me because it has a bit of red and a bit of coral to it. It’s an all-around unusual color, but it’s one of the most flattering I own on my lips, I think because it adds some warmth to my pale face.
I’m a huge fan of orange lip products for everyday, and I own many, but these are two of my most used.
My favorite all-time daily orange is Ravishing by MAC Cosmetics. I went to my local MAC counter when the orange lip rage first hit, and I tried on Morange, which caused me to nearly faint dead away. It’s a beautiful color, but it’s so pigmented and bright that I felt like a traffic cone. Nowadays, I might be more inclined to buy it, but at the time, I was just getting into lipstick, and it was too much. I’m super glad that happened because one of the MAC artists suggested Ravishing instead, which is a Cremesheen (sort of a cross between matte and glossy) light, bright orange that applies opaquely, lasts a long time, and gives me the look of a 1960s Barbie, which I love.
A recent purchase from the Shop MAC/Cook MAC collection, Watch Me Simmer is fast becoming my holy grail statement coral lipstick. The texture is Amplified, which means it’s basically a Cremesheen on steroids. It’s pinker than Ravishing, and it sits dead between a very bright orange and a very bright pink. Remember what I said earlier about my phobia of uber-bright lipstick? You can tell from this purchase that I had come a long way when this collection came out.
(I knew I was going to have to work the day Shop MAC/Cook MAC arrived on counter, so I reserved the products I wanted early, including Watch Me Simmer. I was SO glad I did when I heard that that particular shade sold out by 11:00 a.m. on the launch morning!)
I’ve picked three lipsticks in this color range, not because I necessarily like pink more than other colors, but because it’s a common one for lip products and spans a very broad spectrum of shade intensity.
Pink Pout is a fairly recent purchase for me and the first purchase I made from the Revlon matte lipstick collection. It’s what I would call my “barely there” pink lipstick. It’s pretty, and it’s opaque, but it’s totally not a color that distracts in any way from a bold eye or cheek look. It’s pinker than a nude, but the effect is similar to a nude lip in the sense that it’s a very, very unobtrusive look. I love the texture and highly recommend the Revlon mattes because they last well, and the formula is more moisturizing than other mattes I’ve tried.
A great everyday pink that I just purchased is Buxom’s Big and Healthy Lipstick in Las Vegas. It’s a creamy matte that is bright enough to show up but not overpowering. As I said, it’s very new to me, but I’m ready to call this my perfect pink because of how well it suits my complexion. Pink is a color I stayed away from for a while because I couldn’t seem to find the right one, but this one is ideal for me, and I love the matte texture and the tingly feeling on lips.
San Paulo by Nyx Cosmetics is a very deep pink (almost violet), and it’s a liquid lipstick that applies like a gloss, has a totally matte texture, and dries almost like a stain. It was very affordable (like all Nyx products) and has incredible staying power. The only reason I tried the color was because of the low price, but I ended up loving it for days when I want to go less dramatic on eyes and get a good pop of color on my lips.
Neither lipstick I’m describing here is a classic nude. I look ill in most of the beige or brown-toned nude shades, so these are what works better for me.
Till Tomorrow by MAC Cosmetics is an unusual mauve shade. I’d never have tried it if someone hadn’t recommended it, but once I put it on, I realized it’s closer to my natural lipcolor than almost anything I’ve ever worn. I have very non-pigmented lips, and this lipstick deepens my natural shade and gives me a sophisticated natural look that I like. It’s from the Pro Longwear collection and really does have great staying power.
I got MAC’s Shy Girl (Cremesheen) for free as part of the Back to MAC program (I brought back six finished containers for recycling), and it’s another one I wouldn’t necessarily have picked up for myself without someone showing it to me. It’s in the same family as a classic nude, but there’s something about the very slight warm coral tinge to it that makes it incredibly wearable. It’s a nude-ish shade that isn’t much like my natural lips, but it looks very flattering on and complements any number of eye looks. I really like to wear it for work when I’m doing all neutrals, but it also goes will with more extreme eye makeup.
I hope you’ve enjoyed this look at some of my favorite lipsticks. Stay tuned for more posts about makeup and beauty!